Mostra in alta risoluzione
Caitlin Teal Price | Northern Territory
All images © courtesy of Caitlin Teal Price
http://www.landscapestories.net/issue-09/ls_09-016-caitlin-teal-price?lang=en
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Mostra in alta risoluzione
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Mostra in alta risoluzione
Jack Delano | Women employed as roundhouse wipers having lunch, Chicago & North Western Railroad, Clinton, Iowa 1943
All images © courtesy of Jack Delano
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Mostra in alta risoluzione
Jack Delano | Chicago & North Western railyard, Chicago 1942
All images © courtesy of Jack Delano
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Mostra in alta risoluzione
Jack Delano | Viola Sievers, one of the wipers at the Chicago & North Western roundhouse, giving a giant “H” class locomotive a bath of live steam at Clinton, Iowa 1943
All images © courtesy of Jack Delano
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Mostra in alta risoluzione
Alfred Palmer | American mothers and sisters, like these women at the Douglas Aircraft Company plant in Long Beach, California, give important help in producing dependable planes for their men at the front 1942
All images © courtesy of Alfred Palmer
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Mostra in alta risoluzione
Alfred Palmer | Engine inspector for North American Aviation at Long Beach, California 1942
All images © courtesy of Alfred Palmer
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Mostra in alta risoluzione
Alfred Palmer | Workers installing fixtures and assemblies in the tail section of a B-17F bomber at the Douglas Aircraft Company plant in Long Beach, California 1942
All images © courtesy of Alfred Palmer
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Mostra in alta risoluzione
Howard Hollem | Lucille Mazurek, age 29, ex-housewife, husband going into the service. Working at the Heil and Co. factory in Milwaukee on blackout lamps to be used on Air Force gasoline trailers 1943
All images © courtesy of Howard Hollem
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Mostra in alta risoluzione
Howard Hollem | Rita Rodriguez. Production of B-24 bombers and C-87 transports at Consolidated Aircraft, Fort Worth, Texas 1942
All images © courtesy of Howard Hollem
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Mostra in alta risoluzione
Howard Hollem | Corpus Christi, Texas. Women from all fields have joined the production army 1942
All images © courtesy of Howard Hollem
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Mostra in alta risoluzione
Andreas Feininger | Columbia Steel at Geneva, Utah. Servicing one of the floodlights that turn night into day on the construction site of a new steel plant needed for the war effort 1942
All images © courtesy of Andreas Feininger
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LS 08|Works Submissions
Open Space Office by Tito Mouraz
The series presented here was shot in Portugal over a 2-year period and represents a transformed landscape that portrays the existence of Man as a constructive, reconstructive and contemplative being. The landscape appears completely and irreversibly transformed and it was this transformation that caught my eye and fueled my interest in conducting this project, basing it on this very landscape.
Thus, the work presented aims to portray a reality that suffers an ongoing daily process of rapid transformation. Therefore, the pictures show a temporary reality inserted in a natural landscape undergoing progressive transmutation. They are unique and imposing spaces with a undeniable visual impact which bestow on the images a strong formal and plastic content. I would like to emphasize that these were the aspects I concentrated on and attempted to visually portray the best that this intervention could present to the eye, both in relation to the formal configuration and in relation to the chromatic and lighting harmony that characterize these spaces that create a unique environment. In this way, we can behold a dialogue between Nature and Man’s action, between harmony in a texturized cutting and what develops in it, what involves and transforms it, as is particularly visible in the first images of this series, that portray the idea of an organic whole.
I find it difficult to transmit on film the personal experience and all that one feels and observes at these immense and torn sites, where silence is felt in an unnatural and intimidating way. It is a well know fact that an image cannot replace reality. That is why I chose to include parts of a hidden horizon or an incomplete landscape, in this way suggesting a different perspective, since the proximity to these sites which grow in the opposite direction to what is normal, are usually unobserved by the spectator almost giving them the chance to rebuild them.
Text © courtesy of Tito Mouraz
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LS 08|Works Submissions
Open Space Office by Tito Mouraz
All images © courtesy of Tito Mouraz
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LS 08|Works Submissions
Open Space Office by Tito Mouraz
All images © courtesy of Tito Mouraz
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LS 08|Works Submissions
Open Space Office by Tito Mouraz
All images © courtesy of Tito Mouraz
Theme: Linear by Peter Vidani
